The One about Michelangelo Antonioni’s “L’Eclisse”

In 1962, Michelangelo Antonioni (who had earned the nickname “the Master of Alienation”) released his third film, L’Eclisse (also known as “The Eclipse”), as part of his alienation trilogy. The Italian modernist director was known for his radical new style, not following any convention of Read More …

The One about Francois Truffaut’s “the 400 blows”

In 1959, Francois Truffaut released a semibiographical film about his life with “the 4oo blows” (Les quatre cents coups).  A film highly regarded as a definitive film that showcases French New Wave (a term to describe a group of French filmmakers in the 1950’s-1960’s that Read More …

The One about René Clair’s “I Married a Witch”

Filmmaker René Clair is looked as one of the legendary filmmakers in France. From silent films such as “A Nous la Liberte”, “Le Million” and “Under the Roofs of Paris” to name a few, but in mid-1930’s, Clair with an invitation by filmmaker Alexander Korda, Read More …

The One about Agnes Varda’s “Cleo from 5 to 7”

Agnès Varda, a director known for her role in the Rive Gauche (Left Bank Cinema) movement (filmmakers associated with the French New Wave but the directors had different political perspectives – for a more detailed understanding, please click here), began working on her seventh indie Read More …

The One about Yuri Zhelyabuzhsky’s “The Cigarette Girl of Mosselprom”

From filmmaker Yuri Zhelyabuzhsky,  the filmmaker/cinematographer known for his short “The Emperor’s New Clothes” and filmmaker/producer Fyodor Otstep comes a silent comedy from Russia showcasing  the complexities of love titled “The Cigarette Girl of Mosselprom” (Papirosnitsa ot Mosselproma). The film which had aged quite a Read More …